LATEST NEWS :

Transit performances :

LIFEM : London International Festival of Exploratory Music
November 6th 2009
London, UK.
Single screen presentation of Transit as part of the 'Audiovisual Experimental Works' at Kings Place, London.
Please note this is a screening and not a live event.

Festival HoerenSehen 2
November 20th / 21st / 22nd 2009
Berlinische Galerie. Berlin, Germany
More details will follow soon.

Consumed is an amalgam of drones and textures that entwine and wrap around themselves to create an environment of altered reality. CONSUMED shares similar traits with ‘Somatic’ (con-v 2007) where the origin of the sounds and the concept behind creating them is ultimately unimportant for the listener, who it is intended, will make their own judgments and create their own emotional responses.
The fundamental difference between CONSUMED and ‘Somatic’ is that here a visual counterpart is also presented. Like the audio the origins of the visuals are unimportant, representing the audio in only the most abstract of ways, complimenting it with it’s obscured, high contrast and saturated colours that slowly drift, blur and meld together.

'sirens' collects together the out of print releases ‘cede’, ‘searching for the way’ and the download release ‘horizon’. ‘cede’ was originally released as a 3 inch cdr on the German label Waterscape Records in an edition of 50. ‘searching for the way’ was issued through the UK label ‘The Locus Of’ in an edition of 100 3 inch cdr’s. ‘horizon’ is also available as a download from Twenty Hertz Digital. ‘sirens’ comes in a plastic sleeve with full colour 4 panel insert and the first 50 copies also include two photograph inserts (the ‘sirens’ and ‘searching for the way’ covers) and a numbered and signed obi. Tracks one and three were lightly re-touched in February 2008 at IC Studio.

'Màs Memorias Extranjeras'. On returning to Memorias Extranjeras (and to the Spanish City of Valencia) the foggy, dark somberness that punctuated the first CD had gone. A fundamental change had occurred in the twelve months between ‘Memorias Extranjeras’ and ‘Màs Memorias Extranjeras’ and there was a desire to reflect this and re-work the piece to match this clearer change in perspective. The two releases are two sides of the same coin, one darker, more detached and the other, calmer and more open. Memories that had changed and warped, softened and melded together, the same experience revisited through different eyes.